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Year 2023, Volume: 2 Issue: 1, 18 - 32, 31.03.2023

Abstract

References

  • Antmen, A. (2008). Sanatçılardan yazılar ve açıklamalarla 20. yüzyıl batı sanatında akımlar. İstanbul: Sel Pub.
  • Bajac, Q. (2011). Fotoğraftan sonra, analog fotoğraftan dijital devrime. (Trans.) Marşa Franco. İstanbul: YKY.
  • Cevizci, A. (1999). Felsefe sözlüğü. İstanbul: Paradigma Pub.
  • Emerling, J. (2012). Photography history and theory, Routledge
  • Featherstone, M. (2013). Postmodernizm ve tüketim kültürü. (Trans.) Mehmet Küçük. İstanbul: Ayrıntı Pub.
  • Foster, H. (2009). Gerçeğin geri dönüşü, yüzyılın sonunda avangard. (Trans.) Esin Hoşsucu. İstanbul: Ayrıntı Pub.
  • Higgins, J. (2014). Fotoğraf neden kusursuz olmak zorunda değildir, açıklamalı modern fotoğraf. (Trans.) Firdevs Candil Çulcu. İstanbul: Hayalperest Pub.
  • Lewis, E. (2018). İzmler fotoğrafı anlamak. (Çev.) Maide Meltem Aydemir. İstanbul: Hayalperest Pub.
  • Marien, M. V. (2015). Fotoğrafçılığı değiştiren 100 fikir. (Trans.) Göksu Şimşek. İstanbul: Literatür Pub.
  • Smith, I. H. (2018). Fotoğrafın kısa öyküsü. (Çev.) Deniz Öztok. İstanbul: Hep Kitap Pub.
  • Timuçin, A. (2008). Estetik, felsefe dizisi. İstanbul: Bulut Pub. 31
  • Warren, L. (2006). (Nabeela Sheikh, Postmodernism), Encyclopedia of Twentieth-Century Photography, Volumes I – III. London: Routledge, Taylor & Francis Group.
  • Wood, H. (2011). Sanat ve kuram, 1900-200 değişen fikirler antolojisi. (Trans.) Sabri Gürses. İstanbul: Küre Pub. Web Sources
  • “Martkolesler” (2023) https://www.martharosler.net/house-beautiful [Access Date: 10.02.2023].
  • Image Sources Image 1. Robert Cornelius, Self-Portrait, 1839 https://en.wikipedia.org/wiki/Robert_Cornelius#/media/File:RobertCornelius.jpg [Access Date: 12.02.2023].
  • Image 2. The Portrait of John William Draper’s Sister, Daguerreotype https://uh.edu/engines/epi2604.htm [Access Date: 08.02.2023].
  • Image 3. The Dream, albumen print from wet collodion by Julia Margaret Cameron, 1869 https://www.vam.ac.uk/collections/julia-margaret-cameron [Access Date: 10.01.2023].
  • Image 4. Eugene Pelletan by Nadar, 1855–59 https://www.metmuseum.org/art/collection/search/266480 [Access Date: 01.02.2023].
  • Image 5. Richard Hamilton, Just What Is That Makes Today’s Homes So Different, So Appealing?, 1956 https://www.tate.org.uk/art/artworks/hamilton-just-what-was-it-that-made-yesterdays-homes-so- different-so-appealing-upgrade-p20271 [Access Date: 01.02.2023].
  • Image 6. Andy Warhol, Campbell's Soup Cans, 1962 https://artshortlist.com/fr/journal/article/campbell-soup-cans-andy-warhol [Access Date: 02.02.2023].
  • Image 7. Andy Warhol, Marilyn Monroe (Marilyn), 1967 https://www.masterworksfineart.com/artists/andy-warhol/screen-print/marilyn-monroe-marilyn-1967-9/id/W-6420 [Access Date: 01.02.2023].
  • Image 8. Gerhard Richter, L’Atlas, 1962-2013 https://gerhard-richter.com/en/art/atlas/atlas-17677/?p=1&sp=32&pg=1 [Access Date: 03.02.2023].
  • Image 9. Joachim Schmid, Found in the Street, April 1990 https://www.lensculture.com/articles/joachim-schmid-celebrating-photographic-garbage [Access Date: 05.02.2023].
  • Image 10. Lack Goldstein, Metro-Goldwyn-Mayer, 1975 https://whitney.org/collection/works/18656 [Access Date: 05.02.2023].
  • Image 11. Richard Prince, Untitled (Cowboy), 1989 https://www.wikiart.org/en/richard-prince/untitled-cowboy-1989 [Access Date: 10.02.2023].
  • Image 12. Marta Rosler, House Beautiful: Bringing the War Home, 1967-72 32 https://www.martharosler.net/house-beautiful [Access Date: 01.01.2023].
  • Image 13. Walker Evans, Alabama Tenant Farmer Wife, 1936 https://www.khanacademy.org/humanities/art-1010/post-minimalism/painting/a/the-pictures-generation [Access Date: 10.01.2023].
  • Image 14. Sherrie Levine, After Walker Evans https://www.khanacademy.org/humanities/art-1010/post-minimalism/painting/a/the-pictures-generation [Access Date: 11.01.2023].
  • Image 15. Julia Margaret Cameron, I Wait, 1872 https://commons.wikimedia.org/wiki/File:I_Wait,_by_Julia_Margaret_Cameron.jpg [Access Date: 10.01.2023].
  • Image 16. Vik Muniz, I Wait, after Julia Margaret Cameron, 2004 https://www.wikiart.org/en/vik-muniz/i-wait-after-julia-margaret-cameron-2004 [Access Date: 15.02.2023].
  • Image 17. Cindy Sherman, Untitled Film Still #3, 1977 https://www.moma.org/collection/works/56520?artist_id=5392&page=1&sov_referrer=artist [Access Date: 18.02.2023].
  • Image 18. Cindy Sherman, Untitled Film Still https://kontrastdergi.com/en/aneta-grzeszykowska-yeniden-yorumlar-52-sayi/ [Access Date: 16.02.2023].
  • Image 19. Aneta Grzeszykowska, Untitled Film Still https://kontrastdergi.com/en/aneta-grzeszykowska-yeniden-yorumlar-52-sayi/ [Access Date: 10.02.2023].
  • Image 20. Gillian Wearing, Self-Portrait at Three Years Old, 2004 https://www.vulture.com/article/review-gillian-wearing-guggenheim.html [Access Date: 10.02.2023

Portrait Photography and Appropriation

Year 2023, Volume: 2 Issue: 1, 18 - 32, 31.03.2023

Abstract

In the early years of photography, portrait photography has produced quite a lot of different art and style, from the self-portrait of Robert Cornelius (1839) to the 'Self-portrait as a drowned man' (1840) photograph by Hippolyte Bayard, from the pictorial portraits of Julia Margaret Cameron to the present day handled by the artist in different ways. Portrait approaches that go back and forth between reality and fiction have turned into a completely different structure with the Postmodern period. With the postmodern period, a stance was determined in which different understandings were exhibited against modernism by moving away from the existing modernist norms. One of the distinctive understandings of art observed in the postmodern period is Appropriation. This approach manifests itself as an understanding of re-presenting an image by owning it.

Appropriation portrait approach, on the other hand, contains neither Cameron's aesthetic and pictorial understanding nor the concern of capturing the character; Nadar who is trying to capture in the portrait. Appropriation portraits are produced with an understanding that is quite different in the history of photography and far from traditional portrait rules. Appropriation portraits have created images by centered on "reproduction", as the Postmodern destroys originality and is fed by different styles and contradictions. Richard Prince's reproduction of the 'Cowboys' in Marlboro advertisements, Sherrie Levine's re-photographing of modernist photography classics such as Walker Evans, Edward Weston, Alexander Rodtchenko without any changes, Cindy Sherman's frames from films in the Untitled Film Still series as models and even Aneta Grzeszykowska's reproduction of the Untitled Film Still series reproduced by Cindy Sherman are among the significant examples. In this study, 'Appropriation' portraits were examined by considering the portrait approaches created in the context of the new understanding.

References

  • Antmen, A. (2008). Sanatçılardan yazılar ve açıklamalarla 20. yüzyıl batı sanatında akımlar. İstanbul: Sel Pub.
  • Bajac, Q. (2011). Fotoğraftan sonra, analog fotoğraftan dijital devrime. (Trans.) Marşa Franco. İstanbul: YKY.
  • Cevizci, A. (1999). Felsefe sözlüğü. İstanbul: Paradigma Pub.
  • Emerling, J. (2012). Photography history and theory, Routledge
  • Featherstone, M. (2013). Postmodernizm ve tüketim kültürü. (Trans.) Mehmet Küçük. İstanbul: Ayrıntı Pub.
  • Foster, H. (2009). Gerçeğin geri dönüşü, yüzyılın sonunda avangard. (Trans.) Esin Hoşsucu. İstanbul: Ayrıntı Pub.
  • Higgins, J. (2014). Fotoğraf neden kusursuz olmak zorunda değildir, açıklamalı modern fotoğraf. (Trans.) Firdevs Candil Çulcu. İstanbul: Hayalperest Pub.
  • Lewis, E. (2018). İzmler fotoğrafı anlamak. (Çev.) Maide Meltem Aydemir. İstanbul: Hayalperest Pub.
  • Marien, M. V. (2015). Fotoğrafçılığı değiştiren 100 fikir. (Trans.) Göksu Şimşek. İstanbul: Literatür Pub.
  • Smith, I. H. (2018). Fotoğrafın kısa öyküsü. (Çev.) Deniz Öztok. İstanbul: Hep Kitap Pub.
  • Timuçin, A. (2008). Estetik, felsefe dizisi. İstanbul: Bulut Pub. 31
  • Warren, L. (2006). (Nabeela Sheikh, Postmodernism), Encyclopedia of Twentieth-Century Photography, Volumes I – III. London: Routledge, Taylor & Francis Group.
  • Wood, H. (2011). Sanat ve kuram, 1900-200 değişen fikirler antolojisi. (Trans.) Sabri Gürses. İstanbul: Küre Pub. Web Sources
  • “Martkolesler” (2023) https://www.martharosler.net/house-beautiful [Access Date: 10.02.2023].
  • Image Sources Image 1. Robert Cornelius, Self-Portrait, 1839 https://en.wikipedia.org/wiki/Robert_Cornelius#/media/File:RobertCornelius.jpg [Access Date: 12.02.2023].
  • Image 2. The Portrait of John William Draper’s Sister, Daguerreotype https://uh.edu/engines/epi2604.htm [Access Date: 08.02.2023].
  • Image 3. The Dream, albumen print from wet collodion by Julia Margaret Cameron, 1869 https://www.vam.ac.uk/collections/julia-margaret-cameron [Access Date: 10.01.2023].
  • Image 4. Eugene Pelletan by Nadar, 1855–59 https://www.metmuseum.org/art/collection/search/266480 [Access Date: 01.02.2023].
  • Image 5. Richard Hamilton, Just What Is That Makes Today’s Homes So Different, So Appealing?, 1956 https://www.tate.org.uk/art/artworks/hamilton-just-what-was-it-that-made-yesterdays-homes-so- different-so-appealing-upgrade-p20271 [Access Date: 01.02.2023].
  • Image 6. Andy Warhol, Campbell's Soup Cans, 1962 https://artshortlist.com/fr/journal/article/campbell-soup-cans-andy-warhol [Access Date: 02.02.2023].
  • Image 7. Andy Warhol, Marilyn Monroe (Marilyn), 1967 https://www.masterworksfineart.com/artists/andy-warhol/screen-print/marilyn-monroe-marilyn-1967-9/id/W-6420 [Access Date: 01.02.2023].
  • Image 8. Gerhard Richter, L’Atlas, 1962-2013 https://gerhard-richter.com/en/art/atlas/atlas-17677/?p=1&sp=32&pg=1 [Access Date: 03.02.2023].
  • Image 9. Joachim Schmid, Found in the Street, April 1990 https://www.lensculture.com/articles/joachim-schmid-celebrating-photographic-garbage [Access Date: 05.02.2023].
  • Image 10. Lack Goldstein, Metro-Goldwyn-Mayer, 1975 https://whitney.org/collection/works/18656 [Access Date: 05.02.2023].
  • Image 11. Richard Prince, Untitled (Cowboy), 1989 https://www.wikiart.org/en/richard-prince/untitled-cowboy-1989 [Access Date: 10.02.2023].
  • Image 12. Marta Rosler, House Beautiful: Bringing the War Home, 1967-72 32 https://www.martharosler.net/house-beautiful [Access Date: 01.01.2023].
  • Image 13. Walker Evans, Alabama Tenant Farmer Wife, 1936 https://www.khanacademy.org/humanities/art-1010/post-minimalism/painting/a/the-pictures-generation [Access Date: 10.01.2023].
  • Image 14. Sherrie Levine, After Walker Evans https://www.khanacademy.org/humanities/art-1010/post-minimalism/painting/a/the-pictures-generation [Access Date: 11.01.2023].
  • Image 15. Julia Margaret Cameron, I Wait, 1872 https://commons.wikimedia.org/wiki/File:I_Wait,_by_Julia_Margaret_Cameron.jpg [Access Date: 10.01.2023].
  • Image 16. Vik Muniz, I Wait, after Julia Margaret Cameron, 2004 https://www.wikiart.org/en/vik-muniz/i-wait-after-julia-margaret-cameron-2004 [Access Date: 15.02.2023].
  • Image 17. Cindy Sherman, Untitled Film Still #3, 1977 https://www.moma.org/collection/works/56520?artist_id=5392&page=1&sov_referrer=artist [Access Date: 18.02.2023].
  • Image 18. Cindy Sherman, Untitled Film Still https://kontrastdergi.com/en/aneta-grzeszykowska-yeniden-yorumlar-52-sayi/ [Access Date: 16.02.2023].
  • Image 19. Aneta Grzeszykowska, Untitled Film Still https://kontrastdergi.com/en/aneta-grzeszykowska-yeniden-yorumlar-52-sayi/ [Access Date: 10.02.2023].
  • Image 20. Gillian Wearing, Self-Portrait at Three Years Old, 2004 https://www.vulture.com/article/review-gillian-wearing-guggenheim.html [Access Date: 10.02.2023
There are 34 citations in total.

Details

Primary Language English
Journal Section Research Articles
Authors

Murat Han Er 0000-0002-3896-2796

Publication Date March 31, 2023
Published in Issue Year 2023 Volume: 2 Issue: 1

Cite

APA Er, M. H. (2023). Portrait Photography and Appropriation. Contemporary Issues of Communication, 2(1), 18-32.

Contemporary Issues of Communication is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). 

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