Abstract
The patriarchal
order of the society pushes the woman behind the surface mostly by regarding
them as the secondary sex. As a result of this, they are ‘othered’ through
gender and sexuality or economic and social issues, and thus feel repressed
because their femininity, sexuality and even individuality are denied in order
to maintain only the continuance of the patriarchal order within society.
Yet not only men but also
women discriminate against the female as ‘the other’ by inheriting this
patriarchal ideology in their consciousness due to the normalisation of the
constructed process of othering. Sue Townsend in her play Bazaar and Rummage (1982) describes this construction and
internalisation of otherness imposed by both men and women. In the play, a
group of agoraphobic women try to confront their fears by organizing a rummage
sale through which the origins of their illness are explored. Agoraphobia is a
symbolic symptom to represent what these women have gone through as a result of
the repressive patriarchal order and how the fear of ‘outside’ – which is
regarded as a man’s place, not woman’s – makes them psychologically crippled
since this whole system restricting and oppressing them in so many ways do not
allow women to have their own identities and makes them subjected to this
system. However in the end, Townsend promotes a female solidarity to heal these
women’s psychological wounds by going against their fear and anxiety
Keywords
Othering imposition and internalisation of the otherness repressive and inherited patriarchal order agoraphobia female solidarity
References
- 1. Townsend, Sue. (1996). Bazaar and Rummage. Plays:1. London: Methuan Drama. Secondary Sources: 2. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. (1998). Key Concepts in Post-Colonial Studies. London and New York: Routledge.
- 3. Aston, Elaine. (1999). Feminist Theatre Practice: A Handbook. London and New York: Routledge
- 4. Aston, Elaine. (1995). An Introduction to Feminism and Theatre. London and New York: Routledge.
- 5. Beauvoir, Simon De. (1956). Introduction. In H. M. Parsley (Trans. and Ed.), The Second Sex. London: Lowe and Brydone.
- 6. Billington, Michael. (2013). Margaret Thatcher Casts a Long Shadow over Theatre and the Arts. The Guardian. Retrieved from
- 7. http://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre
- 8. Braidotti, Rosi. (1994). Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory. New York: Columbia University Press.
- 9. Butler, Judith. (1988). Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal 40.4, 519-531. Retrieved from http://www.jstor.org/stable/3207893?seq=1#page_scan_tab_contents
- 10. Butler, Judith. (1990). Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
- 11. Capps, Lisa and Elinor Ochs. (1995). The Agony of Agoraphobia. Constructing Panic: The Discourse of Agoraphobia. Cambridge: Harvard University Press.
- 12. Carlson, Susan. (1991). Taking Back the Body: Self and Sexuality. Women and Comedy: Rewriting the British Theatrical Tradition. Ann Arbor: The University of Michigan Press.
- 13. Dolan, Jill. (2012). The Discourse of Feminisms: the Spectator and Representation. The Feminist Spectator as Critic (2nd ed.). Ann Arbor: The University of Michigan Press.
- 14. Giles, Judy and Tim Middleton. (1999). Studying Culture: A Practical Introduction. Oxford, UK: Blackwell.
- 15. Hoeveler, Diane Long, and Donna Decker Schuster. (2007). Women's Literary Creativity and the Female Body. New York: Palgrave Macmillan.
- 16. Irigaray, Luce. (1985). This Sex Which is Not One. (Catherine Porter and Carolyn Burke, Trans.). New York: Cornell UP.
- 17. Marks, Isaac M. (1987). Phobic and Obsessive-Compulsive Phenomena: Classification, Prevalence and Relationship to Other Problems. Fears, Phobias and Rituals: Panic, Anxiety, and Their Disorders. New York: Oxford UP.
- 18. Milling, Jane. (2012). Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations. London: Methuan Drama.
- 19. Peacock, D. Keith. (1996). Thatcher’s Theatre: British Theatre and Drama in the Eighties. Westport: Greenwood Press. Retrieved from https://books.google.com.tr/books?id= UIgi0UkHKy8C&pg=PA220&dq=Peacock,+D.+Keith.+(1996).
- 20. Rose, Jacqueline. (1985). Introduction II. In Juliet Mitchell and Jacqueline Rose (Eds.), Feminine Sexuality Jacques Lacan and the Ecole Freudienne. New York: W. W. Norton and Pantheon Books. 27-57.
- 21. Stade, George, and Karen Karbiener. (2009). Townsend, Sue. In Alan Hager (Ed.), Encyclopedia of British Writers, 1800 to the Present. Vol. 2. New York: Infobase. Retrieved from https://books.google.com.tr/books?id=T7pVTz46T3cC&pg=PR9&dq= Stade,+George,+and+Karen+Karbiener.+(2009).
- 22. Starcevic, Vladan. (2005). Panic Disorder With or Without Agoraphobia. Anxiety disorders in Adults: A Clinical Guide. New York: Oxford UP.
- 23. Sue Townsend, Author of Adrian Mole Books, Dies Aged 68. (2014). BBC News. Retrieved from http://www.bbc.com/news/entertainment-arts-26982680
- 24. Wandor, Michelene. (2005). Carry On, Understudies: Theatre and Sexual Politics. London and New York: Routledge.
Abstract
References
- 1. Townsend, Sue. (1996). Bazaar and Rummage. Plays:1. London: Methuan Drama. Secondary Sources: 2. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. (1998). Key Concepts in Post-Colonial Studies. London and New York: Routledge.
- 3. Aston, Elaine. (1999). Feminist Theatre Practice: A Handbook. London and New York: Routledge
- 4. Aston, Elaine. (1995). An Introduction to Feminism and Theatre. London and New York: Routledge.
- 5. Beauvoir, Simon De. (1956). Introduction. In H. M. Parsley (Trans. and Ed.), The Second Sex. London: Lowe and Brydone.
- 6. Billington, Michael. (2013). Margaret Thatcher Casts a Long Shadow over Theatre and the Arts. The Guardian. Retrieved from
- 7. http://www.theguardian.com/stage/2013/apr/08/margaret-thatcher-long-shadow-theatre
- 8. Braidotti, Rosi. (1994). Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory. New York: Columbia University Press.
- 9. Butler, Judith. (1988). Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. Theatre Journal 40.4, 519-531. Retrieved from http://www.jstor.org/stable/3207893?seq=1#page_scan_tab_contents
- 10. Butler, Judith. (1990). Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
- 11. Capps, Lisa and Elinor Ochs. (1995). The Agony of Agoraphobia. Constructing Panic: The Discourse of Agoraphobia. Cambridge: Harvard University Press.
- 12. Carlson, Susan. (1991). Taking Back the Body: Self and Sexuality. Women and Comedy: Rewriting the British Theatrical Tradition. Ann Arbor: The University of Michigan Press.
- 13. Dolan, Jill. (2012). The Discourse of Feminisms: the Spectator and Representation. The Feminist Spectator as Critic (2nd ed.). Ann Arbor: The University of Michigan Press.
- 14. Giles, Judy and Tim Middleton. (1999). Studying Culture: A Practical Introduction. Oxford, UK: Blackwell.
- 15. Hoeveler, Diane Long, and Donna Decker Schuster. (2007). Women's Literary Creativity and the Female Body. New York: Palgrave Macmillan.
- 16. Irigaray, Luce. (1985). This Sex Which is Not One. (Catherine Porter and Carolyn Burke, Trans.). New York: Cornell UP.
- 17. Marks, Isaac M. (1987). Phobic and Obsessive-Compulsive Phenomena: Classification, Prevalence and Relationship to Other Problems. Fears, Phobias and Rituals: Panic, Anxiety, and Their Disorders. New York: Oxford UP.
- 18. Milling, Jane. (2012). Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations. London: Methuan Drama.
- 19. Peacock, D. Keith. (1996). Thatcher’s Theatre: British Theatre and Drama in the Eighties. Westport: Greenwood Press. Retrieved from https://books.google.com.tr/books?id= UIgi0UkHKy8C&pg=PA220&dq=Peacock,+D.+Keith.+(1996).
- 20. Rose, Jacqueline. (1985). Introduction II. In Juliet Mitchell and Jacqueline Rose (Eds.), Feminine Sexuality Jacques Lacan and the Ecole Freudienne. New York: W. W. Norton and Pantheon Books. 27-57.
- 21. Stade, George, and Karen Karbiener. (2009). Townsend, Sue. In Alan Hager (Ed.), Encyclopedia of British Writers, 1800 to the Present. Vol. 2. New York: Infobase. Retrieved from https://books.google.com.tr/books?id=T7pVTz46T3cC&pg=PR9&dq= Stade,+George,+and+Karen+Karbiener.+(2009).
- 22. Starcevic, Vladan. (2005). Panic Disorder With or Without Agoraphobia. Anxiety disorders in Adults: A Clinical Guide. New York: Oxford UP.
- 23. Sue Townsend, Author of Adrian Mole Books, Dies Aged 68. (2014). BBC News. Retrieved from http://www.bbc.com/news/entertainment-arts-26982680
- 24. Wandor, Michelene. (2005). Carry On, Understudies: Theatre and Sexual Politics. London and New York: Routledge.
Details
| Primary Language | English |
|---|---|
| Journal Section | Makaleler |
| Authors | |
| Publication Date | December 1, 2015 |
| Submission Date | July 1, 2015 |
| Published in Issue | Year 2015 Volume: 4 Issue: 2 |
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