Translation
Year 2021,
Issue: 34, 115 - 135, 29.06.2021
Abstract
Teresa de Lauretis'in “Aesthetic and Feminist Theory: Rethinking Women's Cinema” isimli makalesinin çevirisidir.
References
- Akerman, C., (1977). Chantal Akerman on Jeanne Dielman, Camera Obscura 2.
- Bergstrom, J., (1977). Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman. Camera Obscura 2.
- Bovenschen, S., (1977). Is There a Feminine Aesthetic? (B. Weekmueller, Çev.). New German Critique, 10 (Kış).
- Doane, M., (1982). Film and the Masquerade: Theorising the FemaleSpectator. Screen, 23.3-4 (Eylül/Ekim).
- Doane, M., Mellencamp, P. ve Williams, L., (1984). Revision: Essays in Feminist Film Criticism. Frederick, Md.: University Publications of America and the American Film Institute.
- Fehervary, H,, Lenssen, C., ve Mayne, J., (1981). From Hitler to Hepburn: A Discussion of Women’s Film Production and Reception. New German Critique, 24-25 (Sonbahar/Kış).
- Friedberg, A., (1984). An Interview with Filmmaker Lizzie Borden. Women and Performance, 1.2 (Kış).
- Heath, S. (1981). Questions of Cinema. Bloomington: Indiana University Press. Hulser, K., (1984). Les Guerilleres, Afterimage, 11.6 (Ocak).
- Johnston, C., (1974). Women’s Cinema as Counter-Cinema. C. Johnston (Ed.), Notes on Women’s Cinema içinde. London: SEFT.
- Koch, B., (1985). Exchanging the Gaze: Re-visioning Feminist Film Theory. New German Critique, 34 (Kış).
- Laplanche, J. ve Pontalis, J., (1973). The Language of Psycho-Analysis (D. Nichol- son-Smith, Çev.). New York: W. W. Norton.
- Lorde, A., (1983). The Master’s Tools Will Never Dismantle the Master’s House. C. Moraga ve G. Anzaldua (Ed.), This Bridge Called My Back: Writings by Radical Women of Color içinde (98-107). New York: Kitchen Table Press.
- Melandri, L., (1977). L’infamia originaria. Milano: Edizioni L’Erba Voglio. Morrison, T., (1975). Sula. New York: Bantam Books.
- Mulvey, L., (1975). Visual Pleasure and Narrative Cinema. Screen, 16.3 (Sonbahar). Mulvey, L., (1979). Feminism, Film, and the Avant-Garde. Framework, 10 (Bahar).
- Owens, C., (1983). The Discourse of Others: Feminists and Postmodernism. H. Foster (Ed.), The Anti-Aesthetic: Essays in Postmodern Culture içinde. Port Townsend, Wash.: Bay Press.
- Rich, A., (1978). Women and Film: A Discussion of Feminist Aesthetics. New German Critique, 13 (Kış).
- Rich, A., (1979). On Lies, Secrets, and Silence. New York: W. W. Norton.
- Rich, A., (1980). Compulsory Heterosexuality and Lesbian Existence. Signs, 5.4 (Yaz).
- Rowbotham, S., (1973). Woman’s Consciousness, Man’s World. Harmondsworth: Penguin Books.
- Silverman, K., (1983). Helke Sander and the Will to Change. Discourse 6 (Son- bahar).
- Sussler, B., (1983). Röportaj. Bomb 7.
- Wittig, M., (1980). Straight Mind. Feminist Issues, 1.1. (Yaz).
Year 2021,
Issue: 34, 115 - 135, 29.06.2021
Abstract
References
- Akerman, C., (1977). Chantal Akerman on Jeanne Dielman, Camera Obscura 2.
- Bergstrom, J., (1977). Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman. Camera Obscura 2.
- Bovenschen, S., (1977). Is There a Feminine Aesthetic? (B. Weekmueller, Çev.). New German Critique, 10 (Kış).
- Doane, M., (1982). Film and the Masquerade: Theorising the FemaleSpectator. Screen, 23.3-4 (Eylül/Ekim).
- Doane, M., Mellencamp, P. ve Williams, L., (1984). Revision: Essays in Feminist Film Criticism. Frederick, Md.: University Publications of America and the American Film Institute.
- Fehervary, H,, Lenssen, C., ve Mayne, J., (1981). From Hitler to Hepburn: A Discussion of Women’s Film Production and Reception. New German Critique, 24-25 (Sonbahar/Kış).
- Friedberg, A., (1984). An Interview with Filmmaker Lizzie Borden. Women and Performance, 1.2 (Kış).
- Heath, S. (1981). Questions of Cinema. Bloomington: Indiana University Press. Hulser, K., (1984). Les Guerilleres, Afterimage, 11.6 (Ocak).
- Johnston, C., (1974). Women’s Cinema as Counter-Cinema. C. Johnston (Ed.), Notes on Women’s Cinema içinde. London: SEFT.
- Koch, B., (1985). Exchanging the Gaze: Re-visioning Feminist Film Theory. New German Critique, 34 (Kış).
- Laplanche, J. ve Pontalis, J., (1973). The Language of Psycho-Analysis (D. Nichol- son-Smith, Çev.). New York: W. W. Norton.
- Lorde, A., (1983). The Master’s Tools Will Never Dismantle the Master’s House. C. Moraga ve G. Anzaldua (Ed.), This Bridge Called My Back: Writings by Radical Women of Color içinde (98-107). New York: Kitchen Table Press.
- Melandri, L., (1977). L’infamia originaria. Milano: Edizioni L’Erba Voglio. Morrison, T., (1975). Sula. New York: Bantam Books.
- Mulvey, L., (1975). Visual Pleasure and Narrative Cinema. Screen, 16.3 (Sonbahar). Mulvey, L., (1979). Feminism, Film, and the Avant-Garde. Framework, 10 (Bahar).
- Owens, C., (1983). The Discourse of Others: Feminists and Postmodernism. H. Foster (Ed.), The Anti-Aesthetic: Essays in Postmodern Culture içinde. Port Townsend, Wash.: Bay Press.
- Rich, A., (1978). Women and Film: A Discussion of Feminist Aesthetics. New German Critique, 13 (Kış).
- Rich, A., (1979). On Lies, Secrets, and Silence. New York: W. W. Norton.
- Rich, A., (1980). Compulsory Heterosexuality and Lesbian Existence. Signs, 5.4 (Yaz).
- Rowbotham, S., (1973). Woman’s Consciousness, Man’s World. Harmondsworth: Penguin Books.
- Silverman, K., (1983). Helke Sander and the Will to Change. Discourse 6 (Son- bahar).
- Sussler, B., (1983). Röportaj. Bomb 7.
- Wittig, M., (1980). Straight Mind. Feminist Issues, 1.1. (Yaz).
There are 22 citations in total.
Details
| Primary Language | Turkish |
|---|---|
| Journal Section | Book Reviews |
| Authors | |
| Translators | |
| Publication Date | June 29, 2021 |
| Acceptance Date | June 25, 2021 |
| Published in Issue | Year 2021Issue: 34 |
