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Caryl Churchill’in Fen Adlı Oyununda Kadınların Uyguladığı Şiddet Türleri

Year 2024, Volume: 2 Issue: 1, 53 - 72, 16.03.2024
https://doi.org/10.5281/zenodo.10829716

Abstract

Bu çalışmada, güçlü feminist söylemi ve siyasi görüşleriyle tanınan İngiliz oyun yazarı Caryl Churchill’in Fen adlı oyunundaki kadınların uyguladığı şiddet türleri incelenmiştir. 1983 yılında sahnelenen ve olanaksız aşk teması üzerine kurulu olan Fen oyunu, kadın çiftçilerin günlük yaşamlarındaki ekonomik, sosyal ve toplumsal zorluklara odaklanmaktadır. Churchill’in bu eseri, sorunlu aile dinamikleri, annelik, feminizm, evlilik, aldatma ve üvey annelik gibi temaları ele alır. Ayrıca, yazar şiddet olgusuna olan yaklaşımını ve bu konudaki düşüncelerini de ilgili oyunda yansıtır. Bu kapsamda, karmaşık bir dil ve postmodern anlatım teknikleri kullanılan oyunda farklı yaş gruplarındaki kadın karakterlerin şiddet uyguladıkları gözlemlenir. Özellikle, şiddet ortamında büyüyen kız çocuklarının da şiddet eğiliminde bulundukları oyunda göze çarpar. Böylece Churchill, eserinde şiddeti yalnızca bireysel bir sorun olarak ele almakla kalmaz, aynı zamanda toplumsal bir sorun olarak da gösterir. Oyundaki karakterler fiziksel, ekonomik, duygusal ve genelde intihar olarak bilinen kendine yönelik şiddet türlerini uygularlar. Bu bağlamda, Churchill’in Fen oyunu gerçek yaşamın içinde bulunan şiddetin çeşitliliğini ele alan güçlü bir eser olarak öne çıkar.

Project Number

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References

  • Allan, J. (2017). An Analysis of Albert Bandura’s Aggression: A Social Learning Analysis. Routledge.
  • Aucoin, D. (2012, Ocak 1). Scrabbling for a Foothold in Fen. The Boston Globe. https://www.bostonglobe.com/arts/2012/01/24/scrabbling-for-foothold-caryl-churchill-fen/IMgCdfOKHOppsPRv6viR8H/story.html
  • Aston, E. (2010). Caryl Churchill. Northcote House Publishers, Limited.
  • Bandura, A. (1995). Self-Efficacy in Changing Societies. Cambridge University Press.
  • Benoit, E. (2012, Şubat 28). Finnegan and Fen Look to Impress. The Spectrum. https://www.ubspectrum.com/article/2012/02/finnegan-and-fen-look-to-impress
  • Billington, M. (2018, Eylül 2). Caryl Churchill at 80: theatre’s great disruptor. The Guardian. https://www.theguardian.com/stage/2018/sep/02/caryl-churchill-at-80-theatre-great-disruptor
  • Bowman, B., Matzopoulos, R., Butchart, A., & Mercy, J. (2008). The impact of violence on development in low- to middle-income countries. International Journal of Injury Control and Safety Promotion, 15(4), 209-219.
  • Churchill, C. (1986). Softcops & Fen. Methuen.
  • Churchill, C. (1990). Plays: Two. (Softcops, Top Girls, Fen, Serious Money). London: Methuen Drama.
  • Churchill, C. (1993). Plays: One. (Owners, Traps, Vinegar Tom, Light Shining in Buckinghamshire, Cloud Nine). London: Methuen Drama.
  • Crosby, A., Ortega, L., & Melanson, C. (2011). Self-directed violence surveillance: Uniform definitions and recommended data elements, Version 1.0. Centers for Disease Control and Prevention, National Center for Injury Prevention and Control.
  • Delara, M. (2016). Mental health consequences and risk factors of physical intimate partner violence. Mental health in family medicine, 12, 119-125.
  • Demastes, W. W. (1996). British Playwrights, 1956–1995: A Research and Production Sourcebook. Westport, CT, USA: Greenwood Publishing Group, Incorporated.
  • Diamond, E. (1988). (In) Visible Bodies in Churchill’s Theatre. Theatre Journal, 40(2), 188–204. https://doi.org/10.2307/3207656
  • Dolan, J. (2011, Mart 19). Fen. The Feminist Spectator. https://feministspectator.princeton.edu/2011/03/19/fen/
  • Gardner, L. (2011, Mart 9). Fen – review. The Guardian. https://www.theguardian.com/stage/2011/mar/09/fen-review
  • Gibran, D. K. (1998). The Falklands War: Britain Versus the Past in the South Atlantic. McFarland, Incorporated, Publishers.
  • Gobert, R. D. (2014). The Theatre of Caryl Churchill. Bloomsbury Publishing.
  • Godiwala, D. (2003). Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980. Peter Lang Publishing.
  • Gold, S. (1983, Haziran 24). Bottom Girls: Love Among Potato Fields. The Wall Street Journal.
  • Gökdağ, D. (2002). Aile Psikolojisi ve Eğitimi. Eskişehir. Anadolu Üniversitesi Yayınları.
  • Greene, A. (2006). Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize. University of Texas Press.
  • Grimm, J., & Grimm, W. (2003). Grimm’s Fairy Tales. Barnes & Noble Classics.
  • Handelman, L., & Lester, D. (2007). The content of suicide notes from attempters and completers. Crisis, 28(2), 102-104. https://doi.org/10.1027/0227-5910.28.2.102
  • Kelly, J., & Johnson, M. (2008). Differentiation among types of intimate partner violence: research update and implications for interventions. Family Court Review, 46(3), 476-499. https://doi.org/10.1111/j.1744-1617.2008.00215.x
  • MacDonald, G. (2006). Engaging Social Issues, Expressing a Political Outlook. Alexis Greene (Ed.) Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize (ss. 104-116) içinde. University of Texas Press.
  • Mackey, S. (1997). Practical Theatre: A Post-16 Approach. S. Thornes.
  • Nicolson, P. (2010). Domestic Violence and Psychology: A Critical Perspective. Taylor & Francis.
  • O’Connor, J. (2001). Scenes and Stages. Pearson Education.
  • Öztürk, M. (2020, Eylül 2). Boşanma ve Boşanmış Aile Çocukları. https://www.mucahitozturk.com/makale/bosanma-ve-bosanmis-aile-cocuklari
  • Polat, O. (2016). Şiddet. Marmara Üniversitesi Hukuk Fakültesi Hukuk Araştırmaları Dergisi, 22(1), 15-34. https://dergipark.org.tr/tr/pub/maruhad/issue/27591/290653
  • Rabillard, S. (1994). Fen and the Production of Feminist Ecotheater. Theater, 25(1), 62-71.
  • Ravenhill, M. (2008, Eylül 3). She made us raise our game. The Guardian. https://www.theguardian.com/stage/2008/sep/03/carylchurchill.theatre
  • Ray, J. (2012, Mayıs 22). Fens and Farewells. The Vanguard. https://archive.psuvanguard.com/fens-and-farewells/
  • Retzinger, S. M. (1991). Shame, anger, and conflict: Case study of emotional violence. Journal of Family Violence, 6, 37-59.
  • Rich, F. (1983, Mayıs 31). Fen. The New York Times. https://www.nytimes.com/1983/05/31/theater/stage-fen-new-work-by-caryl-churchill.html
  • Rivara, F., Adhia, A., Lyons, V., Massey, A., Mills, B., Morgan, E., ... & Rowhani-Rahbar, A. (2019). The effects of violence on health. Health Affairs, 38(10), 1622-1629.
  • Rowe, D. (2003). Power and oppression: A study of materialism and gender in selected drama of Caryl Churchill. University of South Africa, Master of Arts. http://hdl.handle.net/10500/1286
  • Smith, S. (1987, Şubat 26). Fen is no Fun. Chicago Tribune. https://www.chicagotribune.com/news/ct-xpm-1987-02-26-8701160362-story.html
  • Spicer, R. & Miller, T. (2000). Suicide acts in 8 states: incidence and case fatality rates by demographics and method. American Journal of Public Health, 90(12), 1885-1891. https://doi.org/10.2105/ajph.90.12.1885
  • Utech, M. R. (1994). Violence, Abuse, and Neglect: The American Home. General Hall.
  • Villagomez, C. (2020, Nisan 23). Historical background on Caryl Churchill’s Fen. Court Theatre. https://www.courttheatre.org/about/blog/historical-background-on-caryl-churchills-fen/
  • Westermann, A. (2011). Caryl Churchill’s Top Girls - Feminism vs. Culture. Bod Third Party Titles.
  • Yaşar, M.R. (2017). İki şiddet arasında kadın. Akademik Matbuat, 1(1), 1-20. https://dergipark.org.tr/tr/pub/matbuat/issue/32020/336165

The Types of Violence Committed by Women in Caryl Churchill’s Fen

Year 2024, Volume: 2 Issue: 1, 53 - 72, 16.03.2024
https://doi.org/10.5281/zenodo.10829716

Abstract

This study analyses the types of violence perpetrated by women in Fen by Caryl Churchill, a British playwright known for her strong feminist discourse and political views. Staged in 1983 and based on the theme of impossible love, Fen focuses on the economic, social and common difficulties in the daily lives of women farmers. Churchill’s play deals with themes such as problematic family dynamics, motherhood, feminism, marriage, infidelity and stepmotherhood. In addition, the author reflects her approach to the phenomenon of violence and her thoughts on this issue in the play. In this context, the play uses a complex language and postmodern narrative techniques where female characters of different age groups commit violence. Moreover, it is noticeable in the play that girls who grow up in an environment of violence are also prone to enact violence. Thus, Churchill not only deals with violence as an individual problem, but also displays it as a social one. The characters in the play carry out physical, economic, emotional and self-directed violence, commonly known as suicide. In this regard, Churchill’s play Fen stands out as a powerful work that deals with the diversity of violence found in real life.

Ethical Statement

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Supporting Institution

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Project Number

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Thanks

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References

  • Allan, J. (2017). An Analysis of Albert Bandura’s Aggression: A Social Learning Analysis. Routledge.
  • Aucoin, D. (2012, Ocak 1). Scrabbling for a Foothold in Fen. The Boston Globe. https://www.bostonglobe.com/arts/2012/01/24/scrabbling-for-foothold-caryl-churchill-fen/IMgCdfOKHOppsPRv6viR8H/story.html
  • Aston, E. (2010). Caryl Churchill. Northcote House Publishers, Limited.
  • Bandura, A. (1995). Self-Efficacy in Changing Societies. Cambridge University Press.
  • Benoit, E. (2012, Şubat 28). Finnegan and Fen Look to Impress. The Spectrum. https://www.ubspectrum.com/article/2012/02/finnegan-and-fen-look-to-impress
  • Billington, M. (2018, Eylül 2). Caryl Churchill at 80: theatre’s great disruptor. The Guardian. https://www.theguardian.com/stage/2018/sep/02/caryl-churchill-at-80-theatre-great-disruptor
  • Bowman, B., Matzopoulos, R., Butchart, A., & Mercy, J. (2008). The impact of violence on development in low- to middle-income countries. International Journal of Injury Control and Safety Promotion, 15(4), 209-219.
  • Churchill, C. (1986). Softcops & Fen. Methuen.
  • Churchill, C. (1990). Plays: Two. (Softcops, Top Girls, Fen, Serious Money). London: Methuen Drama.
  • Churchill, C. (1993). Plays: One. (Owners, Traps, Vinegar Tom, Light Shining in Buckinghamshire, Cloud Nine). London: Methuen Drama.
  • Crosby, A., Ortega, L., & Melanson, C. (2011). Self-directed violence surveillance: Uniform definitions and recommended data elements, Version 1.0. Centers for Disease Control and Prevention, National Center for Injury Prevention and Control.
  • Delara, M. (2016). Mental health consequences and risk factors of physical intimate partner violence. Mental health in family medicine, 12, 119-125.
  • Demastes, W. W. (1996). British Playwrights, 1956–1995: A Research and Production Sourcebook. Westport, CT, USA: Greenwood Publishing Group, Incorporated.
  • Diamond, E. (1988). (In) Visible Bodies in Churchill’s Theatre. Theatre Journal, 40(2), 188–204. https://doi.org/10.2307/3207656
  • Dolan, J. (2011, Mart 19). Fen. The Feminist Spectator. https://feministspectator.princeton.edu/2011/03/19/fen/
  • Gardner, L. (2011, Mart 9). Fen – review. The Guardian. https://www.theguardian.com/stage/2011/mar/09/fen-review
  • Gibran, D. K. (1998). The Falklands War: Britain Versus the Past in the South Atlantic. McFarland, Incorporated, Publishers.
  • Gobert, R. D. (2014). The Theatre of Caryl Churchill. Bloomsbury Publishing.
  • Godiwala, D. (2003). Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980. Peter Lang Publishing.
  • Gold, S. (1983, Haziran 24). Bottom Girls: Love Among Potato Fields. The Wall Street Journal.
  • Gökdağ, D. (2002). Aile Psikolojisi ve Eğitimi. Eskişehir. Anadolu Üniversitesi Yayınları.
  • Greene, A. (2006). Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize. University of Texas Press.
  • Grimm, J., & Grimm, W. (2003). Grimm’s Fairy Tales. Barnes & Noble Classics.
  • Handelman, L., & Lester, D. (2007). The content of suicide notes from attempters and completers. Crisis, 28(2), 102-104. https://doi.org/10.1027/0227-5910.28.2.102
  • Kelly, J., & Johnson, M. (2008). Differentiation among types of intimate partner violence: research update and implications for interventions. Family Court Review, 46(3), 476-499. https://doi.org/10.1111/j.1744-1617.2008.00215.x
  • MacDonald, G. (2006). Engaging Social Issues, Expressing a Political Outlook. Alexis Greene (Ed.) Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize (ss. 104-116) içinde. University of Texas Press.
  • Mackey, S. (1997). Practical Theatre: A Post-16 Approach. S. Thornes.
  • Nicolson, P. (2010). Domestic Violence and Psychology: A Critical Perspective. Taylor & Francis.
  • O’Connor, J. (2001). Scenes and Stages. Pearson Education.
  • Öztürk, M. (2020, Eylül 2). Boşanma ve Boşanmış Aile Çocukları. https://www.mucahitozturk.com/makale/bosanma-ve-bosanmis-aile-cocuklari
  • Polat, O. (2016). Şiddet. Marmara Üniversitesi Hukuk Fakültesi Hukuk Araştırmaları Dergisi, 22(1), 15-34. https://dergipark.org.tr/tr/pub/maruhad/issue/27591/290653
  • Rabillard, S. (1994). Fen and the Production of Feminist Ecotheater. Theater, 25(1), 62-71.
  • Ravenhill, M. (2008, Eylül 3). She made us raise our game. The Guardian. https://www.theguardian.com/stage/2008/sep/03/carylchurchill.theatre
  • Ray, J. (2012, Mayıs 22). Fens and Farewells. The Vanguard. https://archive.psuvanguard.com/fens-and-farewells/
  • Retzinger, S. M. (1991). Shame, anger, and conflict: Case study of emotional violence. Journal of Family Violence, 6, 37-59.
  • Rich, F. (1983, Mayıs 31). Fen. The New York Times. https://www.nytimes.com/1983/05/31/theater/stage-fen-new-work-by-caryl-churchill.html
  • Rivara, F., Adhia, A., Lyons, V., Massey, A., Mills, B., Morgan, E., ... & Rowhani-Rahbar, A. (2019). The effects of violence on health. Health Affairs, 38(10), 1622-1629.
  • Rowe, D. (2003). Power and oppression: A study of materialism and gender in selected drama of Caryl Churchill. University of South Africa, Master of Arts. http://hdl.handle.net/10500/1286
  • Smith, S. (1987, Şubat 26). Fen is no Fun. Chicago Tribune. https://www.chicagotribune.com/news/ct-xpm-1987-02-26-8701160362-story.html
  • Spicer, R. & Miller, T. (2000). Suicide acts in 8 states: incidence and case fatality rates by demographics and method. American Journal of Public Health, 90(12), 1885-1891. https://doi.org/10.2105/ajph.90.12.1885
  • Utech, M. R. (1994). Violence, Abuse, and Neglect: The American Home. General Hall.
  • Villagomez, C. (2020, Nisan 23). Historical background on Caryl Churchill’s Fen. Court Theatre. https://www.courttheatre.org/about/blog/historical-background-on-caryl-churchills-fen/
  • Westermann, A. (2011). Caryl Churchill’s Top Girls - Feminism vs. Culture. Bod Third Party Titles.
  • Yaşar, M.R. (2017). İki şiddet arasında kadın. Akademik Matbuat, 1(1), 1-20. https://dergipark.org.tr/tr/pub/matbuat/issue/32020/336165
There are 44 citations in total.

Details

Primary Language Turkish
Subjects Contemporary Drama Studies
Journal Section Araştırma Makaleleri/Research Articles
Authors

Ajda Baştan 0000-0001-8171-8644

Project Number -
Early Pub Date March 13, 2024
Publication Date March 16, 2024
Submission Date January 23, 2024
Acceptance Date March 5, 2024
Published in Issue Year 2024 Volume: 2 Issue: 1

Cite

APA Baştan, A. (2024). Caryl Churchill’in Fen Adlı Oyununda Kadınların Uyguladığı Şiddet Türleri. Theatre Academy, 2(1), 53-72. https://doi.org/10.5281/zenodo.10829716

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