Research Article
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The Role of Museums in the Process of Creating a Brand City: The Case of Ankara

Year 2023, Issue: 44, 73 - 89, 27.12.2023

İlknur Doğu Öztürk Burcu Zeybek

https://doi.org/10.17829/turcom.1195503

Abstract

It is crucial to evaluate the usage practices of social networks in sustaining the urban brand. In this study, we discussed how museums as social memory spaces are subject to social media posts. The study is noteworthy because it gives an opinion about social media posts of museum visitors and determines the approach to museums in the formation of an urban brand. Accordingly, we examined the Instagram posts of social media users related to museums in Ankara via content analysis. We found that the posts shared were mainly photos. Museums were the greatest data source for the corporate Instagram accounts according to sharing frequency and they were all foundation and private museums. Examining the purposes of sharing, we determined a multidirectional social media use in the dimensions of communication via announcement, publicity and informing. Analysing the use of hashtags related to museums in the process of creating a brand city revealed that museums highlighted themselves, their activities and the city where they are located. The experience of visiting the museum creates the opinion that there is an impression of the brand value of the city where the museum is located. As a result of the study, we found that it is necessary to organize a campaign based on a specific motto to be shared by corporate accounts of museums, personal accounts of visitors, and Instagram content creators to strengthen the positioning of Ankara museums related to the city.

Keywords

Brand City Instagram Ankara Museum Hashtag

Supporting Institution

Koç University Vehbi Koç Ankara Studies Research Center, VEKAM.

References

  • Baltacı, A. (2017). Nitel veri analizinde Miles-Huberman modeli. Ahi Evran Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 3(1), 1-14.
  • Brand Finance. (2019). Turkey metropol 30. Brandirectory. Retrieved November 22, 2021 from https:// brandirectory.com/download-report/Turkish%20Cities%2030.pdf
  • Bruce, C. (2006). Spectacle and democracy: Experience music project as a post‐museum. New Museum Theory and Practice: An Introduction, 8(2), 129-151. https://doi.org/10.30519/ahtr.693400
  • Budge, K. (2018). Encountering people and place: Museums through the lens of Instagram. Australasian Journal of Popular Culture, 7(1), 107–121. https://doi.org/10.1386/ajpc.7.1.107_1
  • Budge, K., & Burness, A. (2018). Museum objects and Instagram: Agency and communication in digital engagement. Continuum, 32(2), 137-150. https://doi.org/10.1080/10304.312.2017.1337079
  • Capriotti, P., & Kuklinski, H. P. (2012). Assessing dialogic communication through the internet in Spanish museums. Public Relations Review, 38(4), 619–626. https://doi.org/10.1016/j.pubrev.2012.05.005
  • Carah, N. (2014). Curators of databases: Circulating images, managing attention and making value on social media. Media International Australia, 150, 137–142. https://doi.org/10.1177/1329878X141.500.0125
  • Demographia. (2021). Demographia world urban areas. Retrieved November 24, 2021 from http://www. demographia.com/db-worldua.pdf
  • Di Pietro, L., Guglielmetti Mugion, R., Renzi, M. F., & Toni, M. (2014). An audience-centric approach for museums sustainability. Sustainability, 6(9), 5745-5762. https://doi.org/10.3390/su6095745
  • Evans, G. (2003). Hard‐branding the cultural city–from Prado to Prada. International Journal of Urban and Regional Research, 27(2), 417-440. https://doi.org/10.1111/1468-2427.00455
  • Facebook (2022). Instagram Data Policy. Retrieved January 2, 2022 from https://www.facebook.com/help/ instagram/155.833.707900388
  • Fernandez-Lores, S., Crespo-Tejero, N., & Fernández-Hernández, R. (2022). Driving traffic to the museum: The role of the digital communication tools. Technological Forecasting and Social Change, 174(1), 1-8. https:// doi.org/10.1016/j.techfore.2021.121273
  • Florek, M., & Kavaratzis, M. (2014). From brand equity to place brand equity and from there to the place brand. Place Brand Public Diplomacy, 10, 103–107. https://doi.org/10.1057/pb.2014.9
  • Gelles, A. (2017). Putting the social in social media: Interactive new media for museums. The museum review. Retrieved September 16, 2021 from http://articles.themuseumreview.org/tmr_vol2no1_gelles.
  • Giritlioğlu, D. (2021). Zorlu dönemde yüzde 32 azaldı. Hürriyet. Retrieved November 20, 2021 from https:// www.hurriyet.com.tr/yerel-haberler/ankara/zorlu-donemde-yuzde-32-azaldi-41754363
  • Govers, R. (2015). Rethinking virtual and online place branding. In Kavaratzis M., Warnaby G., & Ashworth G. (Eds.), Rethinking place branding (pp. 73-83). Springer, Cham.
  • Hanna, S. A., & Rowley, J. (2015). Rethinking strategic place branding in the digital age. In M. Kavaratzis, G. Warnaby, & G. J. Ashworth (Eds.), Rethinking place branding (pp. 85-100). Springer, Cham.
  • Henninger, C. E., Foster, C., Alevizou, P. J., & Frohlich, C. (2016). Stakeholder engagement in the city branding process. Place Branding and Public Diplomacy, 12, 285-298. https://doi.org/10.1057/s41254.016.0002-1
  • Holdgaard, N., & Klastrup, L. (2014). Between control and creativity: Challenging co-creation and social media use in a museum context. Digital Creativity, 25(3), 190–202. https://doi.org/10.1080/14626.268.2014.9 04364
  • Huang, C., Oh, K., Zhang, Q., & Cho, Y.-J. (2013). Understanding the city brand in the regional tourism market among college students. Journal of Travel & Tourism Marketing, 30(7), 662-671. https://doi.org/10.1080 /10548.408.2013.827544
  • ICOM (2019, 25 July). ICOM announces the alternative museum definition that will be subject to a vote. Retrieved October 25, 2021 from https://icom.museum/en/news/icom-announcesthealternative-museum- definition-that-will-be-subject-to-a-vote/.
  • Jarreau, P. B., Dahmen, N. S., & Jones, E. (2019). Instagram and the science museum: A missed opportunity for public engagement. Journal of Science Communication, 18(2), 1–22. https://doi.org/10.22323/2.18020206
  • Jun, J. W. (2019). Impacts of novelty of North Korean cheerleaders and olympic engagement on olympic and pyeongchang attitudes: A focus on perspectives from Korean college students. Information Society and Media, (20), 175–195. https://doi.org/10.52558/ISM.2019.08.20.2.175
  • Karadeniz, C. (2017). Müze ve toplum: Müzeyle topluma ulaşmak. Itobiad: Journal of The Human & Social Science Researches, 6(8), 19-37.
  • Kavaratzis, M. (2004). From city marketing to city branding: Towards a theoretical framework for developing city brands. Place Branding, 1(1), 58-73. https://doi.org/10.1057/palgrave.pb.5990005
  • Kavaratzis, M., & Ashworth, G. J. (2006). Changing the tide: The campaign to re-brand Amsterdam. Core. Retrieved March 5, 2023 from https://core.ac.uk/download/pdf/7040122.pdf
  • Kelly, L. (2009). Proceedings of the impact of social media on museum practice. The National Palace Museum. https://media.australian.museum/media/dd/Uploads/Documents/9307/impact+of+social+media+on+museum+practice.8b9c706.pdf
  • Koke, J., & Ryan, K. (2017). From consultation to collaboration. In P. Villeneuve, & A. R. Love (Eds.), Visitorcentered exhibitions and edu-curation in art museums (pp. 47–55). Rowman & Littlefield.
  • Köker, N. E., Maden, D., & Göztaş, A. (2013). Contribution of international fairs in city branding: The case of Izmir, Turkey. European Journal of Tourism, Hospitality and Recreation, 4(2), 49-69.
  • Manna, R., & Palumbo, R. (2018). What makes a museum attractive to young people? Evidence from Italy. International Journal of Tourism Research, 20(4), 508-517. https://doi.org/10.1002/jtr.2200
  • Lazaridou, K., Vrana, V., & Paschaloudis, D. (2017). Museums ve Instagram. In V. Katsoni, A. Upadhya, & A. Stratigea (Eds.), Tourism, culture and heritage in a smart economy (pp. 73–84). Springer.
  • Lee, J., & Xu, W. W. (2018). The more attacks, the more retweets: Trump’s and Clinton’s agenda setting on Twitter. Public Relations Review, 44(2), 201-213. https://doi.org/10.1016/j.pubrev.2017.10.002
  • Merrilees, B., Miller, D., & Herington, C. (2012). Multiple stakeholders and multiple city brand meanings. European Journal of Marketing, 46(7/8), 1032-1047. http://doi.org/10.1108/030.905.61211230188 Museuminstaswap. (2021). Retrieved March 5, 2023 from https://www.museuminstaswap.org/
  • Newman, M. Z. (2014). Video revolutions. Columbia University Press.
  • Peker, A. E. (2006). Kentin markalaşma sürecinde çağdaş sanat müzelerinin rolü: Kent markalaşması ve küresel landmark [Unpublished master’s thesis]. İstanbul Teknik Üniversitesi, Fen Bilimleri Enstitüsü.
  • Phan, K. & Melissa, M. (2018). How Instagram is changing the art world. Sccur. Retrieved January 4, 2022 from https://www.sccur.org/sccur/FALL_ 2018_CONFERENCE/SOC_SCI_POSTERS/82/
  • Rauschnabel, P.A., Sheldon, P., & Herzfeldt, E. (2019). What motivates users to hashtag on social media? Psychology & Marketing, 36(5), 473–488. https://doi.org/10.1002/mar.21191
  • Rhee, B. A., Pianzola, F., & Choi, G. T. (2021). Analyzing the museum experience through the lens of Instagram posts. Curator: The Museum Journal, 64(3), 529-547. https://doi.org/10.1111/cura.12414
  • Russo, A., Watkins, J., & Groundwater-Smith, S. (2009). The impact of social media on informal learning in museums. Educational Media International, 46(2), 153–166. https://doi.org/10.1080/095.239.80902933532
  • Sokolowsky, J. (2017) Art in the Instagram age: How social media is shaping art and how you experience it. The Seattle times. Retrieved November 29, 2021 from https://www.seattletimes.com/entertainment/visual-arts/art-in-the-instagram-age-how-social-media-is-shaping-art-and-how-you-experience-it/
  • Sousa, B. B., & Magalhães, F. C. (2019). An approach on attachment in public marketing and higher education management contexts. In C. Machado & J. Davim (Eds.), Higher education and the evolution of management, applied sciences, and engineering curricula (pp. 151–171). IGI Global.
  • Soydaş, N., & Üstünbaş, B. (2020). Kent kimliğinin yansıtılmasında müzelerin kentsel iletişim bağlamında değerlendirilmesi. Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 34, 377-398. https://doi.org/10.31123/akil.780956
  • Stylianou-Lambert, T. (2017). Photographing in the art museum: Visitor attitudes and motivations. Visitor Studies, 20(2), 114–137. https://doi.org/10.1080/10645.578.2017.1404345
  • Suess, A. (2014). Art gallery visitors and Instagram. Academia. Retrieved October 28, 2021 from https://www. academia.edu/12086365/Art_Gallery_Visitors_and_Instagram
  • Sütçü, C. S., & Aytekin, Ç. (2013, June). Sosyal medyada twitter konuşma diline ilişkin bir araştırma: Ortak hashtag kullanımı ile kullanıcı profili arasındaki ilişki. International Symposium on Language and Communication: Exploring Novelties Proceeding Book, 17(19), 1863-1876.
  • Uşaklı, A., & Ş. Baloğlu (2011). Brand personality of tourism destinations: An application of self-congruity theory. Tourism Management, 32(1), 114-127. https://doi.org/10.1016/j.tourman.2010.06.006
  • Villaespesa, E. (2013). Diving into the museum’s social media stream. Analysis of the visitor experience in 140 characters. Museums and the web 2013. Retrieved from 19 October, 2021 from https://mw2013. museumsandtheweb.com/paper/diving-into-themuseums-social-media-stream/
  • Villaespesa, E., & Wowkowych, S. (2020). Ephemeral storytelling with social media: Snapchat and Instagram stories at the Brooklyn Museum. Social Media+Society, 6(1), 1-13. https://doi.org/10.1177/205.630.5119898776
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Marka Şehir Yaratma Sürecinde Müzelerin Rolü: Ankara Örneği

Year 2023, Issue: 44, 73 - 89, 27.12.2023

İlknur Doğu Öztürk Burcu Zeybek

https://doi.org/10.17829/turcom.1195503

Abstract

Bu çalışma kapsamında toplumsal bellek mekânları olarak müzelerin sosyal ağ paylaşımlarına konu olma durumu ele alınmıştır. Çalışma, müze ziyaretçilerinin sosyal ağ paylaşımları hakkında fikir vermesi kent markasının oluşmasında müzelere yönelik yaklaşımı tespit etmesi ve bu sosyal, kültürel varlıkların marka kent yaratmasına katkı sağlaması noktasında önemlidir. Bu doğrultuda sosyal ağ kullanıcılarının Ankara’da yer alan müzeler ile ilgili Instagram paylaşımları içerik analizi tekniği ile incelenmiştir. Araştırma sonucunda paylaşım görsellerinin fotoğraf ağırlıklı olduğu; müzelerin kurumsal Instagram hesaplarının paylaşım sıklığına göre toplanan verinin en büyük kaynağı olduğu; bu müzelerin tümünün vakıf ve özel müze statüsünde olduğu anlaşılmıştır. Paylaşılan postlara bakıldığında hem tanıtım hem de bilgi vermek amacıyla çok yönlü bir sosyal medya kullanımı tespit edilmiştir. Marka kent yaratma sürecinde müzelerle ilgili olarak hashtag kullanımlarının incelenmesi ise müzelerin kendilerini, etkinliklerini ve müzenin bulunduğu kenti ön plana çıkardığını ortaya koymuştur. Müze gezme deneyimi, aynı zamanda müzenin bulunduğu kentin marka değerine yönelik de bir izlenim yaratmaktadır. Çalışma sonucunda, Ankara müzelerinin kent ile ilişkili bir şekilde konumlandırılmasını güçlendirmek amacıyla, müzelerin kurumsal hesapları, ziyaretçilerin kişisel hesapları ve Instagram içerik üreticilerinin Instagram hesaplarından paylaşılacak belirli bir motto odaklı kampanya yapılmasının gerektiği anlaşılmıştır.

Keywords

Marka kent Instagram Ankara Müze Hashtag

References

  • Baltacı, A. (2017). Nitel veri analizinde Miles-Huberman modeli. Ahi Evran Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 3(1), 1-14.
  • Brand Finance. (2019). Turkey metropol 30. Brandirectory. Retrieved November 22, 2021 from https:// brandirectory.com/download-report/Turkish%20Cities%2030.pdf
  • Bruce, C. (2006). Spectacle and democracy: Experience music project as a post‐museum. New Museum Theory and Practice: An Introduction, 8(2), 129-151. https://doi.org/10.30519/ahtr.693400
  • Budge, K. (2018). Encountering people and place: Museums through the lens of Instagram. Australasian Journal of Popular Culture, 7(1), 107–121. https://doi.org/10.1386/ajpc.7.1.107_1
  • Budge, K., & Burness, A. (2018). Museum objects and Instagram: Agency and communication in digital engagement. Continuum, 32(2), 137-150. https://doi.org/10.1080/10304.312.2017.1337079
  • Capriotti, P., & Kuklinski, H. P. (2012). Assessing dialogic communication through the internet in Spanish museums. Public Relations Review, 38(4), 619–626. https://doi.org/10.1016/j.pubrev.2012.05.005
  • Carah, N. (2014). Curators of databases: Circulating images, managing attention and making value on social media. Media International Australia, 150, 137–142. https://doi.org/10.1177/1329878X141.500.0125
  • Demographia. (2021). Demographia world urban areas. Retrieved November 24, 2021 from http://www. demographia.com/db-worldua.pdf
  • Di Pietro, L., Guglielmetti Mugion, R., Renzi, M. F., & Toni, M. (2014). An audience-centric approach for museums sustainability. Sustainability, 6(9), 5745-5762. https://doi.org/10.3390/su6095745
  • Evans, G. (2003). Hard‐branding the cultural city–from Prado to Prada. International Journal of Urban and Regional Research, 27(2), 417-440. https://doi.org/10.1111/1468-2427.00455
  • Facebook (2022). Instagram Data Policy. Retrieved January 2, 2022 from https://www.facebook.com/help/ instagram/155.833.707900388
  • Fernandez-Lores, S., Crespo-Tejero, N., & Fernández-Hernández, R. (2022). Driving traffic to the museum: The role of the digital communication tools. Technological Forecasting and Social Change, 174(1), 1-8. https:// doi.org/10.1016/j.techfore.2021.121273
  • Florek, M., & Kavaratzis, M. (2014). From brand equity to place brand equity and from there to the place brand. Place Brand Public Diplomacy, 10, 103–107. https://doi.org/10.1057/pb.2014.9
  • Gelles, A. (2017). Putting the social in social media: Interactive new media for museums. The museum review. Retrieved September 16, 2021 from http://articles.themuseumreview.org/tmr_vol2no1_gelles.
  • Giritlioğlu, D. (2021). Zorlu dönemde yüzde 32 azaldı. Hürriyet. Retrieved November 20, 2021 from https:// www.hurriyet.com.tr/yerel-haberler/ankara/zorlu-donemde-yuzde-32-azaldi-41754363
  • Govers, R. (2015). Rethinking virtual and online place branding. In Kavaratzis M., Warnaby G., & Ashworth G. (Eds.), Rethinking place branding (pp. 73-83). Springer, Cham.
  • Hanna, S. A., & Rowley, J. (2015). Rethinking strategic place branding in the digital age. In M. Kavaratzis, G. Warnaby, & G. J. Ashworth (Eds.), Rethinking place branding (pp. 85-100). Springer, Cham.
  • Henninger, C. E., Foster, C., Alevizou, P. J., & Frohlich, C. (2016). Stakeholder engagement in the city branding process. Place Branding and Public Diplomacy, 12, 285-298. https://doi.org/10.1057/s41254.016.0002-1
  • Holdgaard, N., & Klastrup, L. (2014). Between control and creativity: Challenging co-creation and social media use in a museum context. Digital Creativity, 25(3), 190–202. https://doi.org/10.1080/14626.268.2014.9 04364
  • Huang, C., Oh, K., Zhang, Q., & Cho, Y.-J. (2013). Understanding the city brand in the regional tourism market among college students. Journal of Travel & Tourism Marketing, 30(7), 662-671. https://doi.org/10.1080 /10548.408.2013.827544
  • ICOM (2019, 25 July). ICOM announces the alternative museum definition that will be subject to a vote. Retrieved October 25, 2021 from https://icom.museum/en/news/icom-announcesthealternative-museum- definition-that-will-be-subject-to-a-vote/.
  • Jarreau, P. B., Dahmen, N. S., & Jones, E. (2019). Instagram and the science museum: A missed opportunity for public engagement. Journal of Science Communication, 18(2), 1–22. https://doi.org/10.22323/2.18020206
  • Jun, J. W. (2019). Impacts of novelty of North Korean cheerleaders and olympic engagement on olympic and pyeongchang attitudes: A focus on perspectives from Korean college students. Information Society and Media, (20), 175–195. https://doi.org/10.52558/ISM.2019.08.20.2.175
  • Karadeniz, C. (2017). Müze ve toplum: Müzeyle topluma ulaşmak. Itobiad: Journal of The Human & Social Science Researches, 6(8), 19-37.
  • Kavaratzis, M. (2004). From city marketing to city branding: Towards a theoretical framework for developing city brands. Place Branding, 1(1), 58-73. https://doi.org/10.1057/palgrave.pb.5990005
  • Kavaratzis, M., & Ashworth, G. J. (2006). Changing the tide: The campaign to re-brand Amsterdam. Core. Retrieved March 5, 2023 from https://core.ac.uk/download/pdf/7040122.pdf
  • Kelly, L. (2009). Proceedings of the impact of social media on museum practice. The National Palace Museum. https://media.australian.museum/media/dd/Uploads/Documents/9307/impact+of+social+media+on+museum+practice.8b9c706.pdf
  • Koke, J., & Ryan, K. (2017). From consultation to collaboration. In P. Villeneuve, & A. R. Love (Eds.), Visitorcentered exhibitions and edu-curation in art museums (pp. 47–55). Rowman & Littlefield.
  • Köker, N. E., Maden, D., & Göztaş, A. (2013). Contribution of international fairs in city branding: The case of Izmir, Turkey. European Journal of Tourism, Hospitality and Recreation, 4(2), 49-69.
  • Manna, R., & Palumbo, R. (2018). What makes a museum attractive to young people? Evidence from Italy. International Journal of Tourism Research, 20(4), 508-517. https://doi.org/10.1002/jtr.2200
  • Lazaridou, K., Vrana, V., & Paschaloudis, D. (2017). Museums ve Instagram. In V. Katsoni, A. Upadhya, & A. Stratigea (Eds.), Tourism, culture and heritage in a smart economy (pp. 73–84). Springer.
  • Lee, J., & Xu, W. W. (2018). The more attacks, the more retweets: Trump’s and Clinton’s agenda setting on Twitter. Public Relations Review, 44(2), 201-213. https://doi.org/10.1016/j.pubrev.2017.10.002
  • Merrilees, B., Miller, D., & Herington, C. (2012). Multiple stakeholders and multiple city brand meanings. European Journal of Marketing, 46(7/8), 1032-1047. http://doi.org/10.1108/030.905.61211230188 Museuminstaswap. (2021). Retrieved March 5, 2023 from https://www.museuminstaswap.org/
  • Newman, M. Z. (2014). Video revolutions. Columbia University Press.
  • Peker, A. E. (2006). Kentin markalaşma sürecinde çağdaş sanat müzelerinin rolü: Kent markalaşması ve küresel landmark [Unpublished master’s thesis]. İstanbul Teknik Üniversitesi, Fen Bilimleri Enstitüsü.
  • Phan, K. & Melissa, M. (2018). How Instagram is changing the art world. Sccur. Retrieved January 4, 2022 from https://www.sccur.org/sccur/FALL_ 2018_CONFERENCE/SOC_SCI_POSTERS/82/
  • Rauschnabel, P.A., Sheldon, P., & Herzfeldt, E. (2019). What motivates users to hashtag on social media? Psychology & Marketing, 36(5), 473–488. https://doi.org/10.1002/mar.21191
  • Rhee, B. A., Pianzola, F., & Choi, G. T. (2021). Analyzing the museum experience through the lens of Instagram posts. Curator: The Museum Journal, 64(3), 529-547. https://doi.org/10.1111/cura.12414
  • Russo, A., Watkins, J., & Groundwater-Smith, S. (2009). The impact of social media on informal learning in museums. Educational Media International, 46(2), 153–166. https://doi.org/10.1080/095.239.80902933532
  • Sokolowsky, J. (2017) Art in the Instagram age: How social media is shaping art and how you experience it. The Seattle times. Retrieved November 29, 2021 from https://www.seattletimes.com/entertainment/visual-arts/art-in-the-instagram-age-how-social-media-is-shaping-art-and-how-you-experience-it/
  • Sousa, B. B., & Magalhães, F. C. (2019). An approach on attachment in public marketing and higher education management contexts. In C. Machado & J. Davim (Eds.), Higher education and the evolution of management, applied sciences, and engineering curricula (pp. 151–171). IGI Global.
  • Soydaş, N., & Üstünbaş, B. (2020). Kent kimliğinin yansıtılmasında müzelerin kentsel iletişim bağlamında değerlendirilmesi. Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 34, 377-398. https://doi.org/10.31123/akil.780956
  • Stylianou-Lambert, T. (2017). Photographing in the art museum: Visitor attitudes and motivations. Visitor Studies, 20(2), 114–137. https://doi.org/10.1080/10645.578.2017.1404345
  • Suess, A. (2014). Art gallery visitors and Instagram. Academia. Retrieved October 28, 2021 from https://www. academia.edu/12086365/Art_Gallery_Visitors_and_Instagram
  • Sütçü, C. S., & Aytekin, Ç. (2013, June). Sosyal medyada twitter konuşma diline ilişkin bir araştırma: Ortak hashtag kullanımı ile kullanıcı profili arasındaki ilişki. International Symposium on Language and Communication: Exploring Novelties Proceeding Book, 17(19), 1863-1876.
  • Uşaklı, A., & Ş. Baloğlu (2011). Brand personality of tourism destinations: An application of self-congruity theory. Tourism Management, 32(1), 114-127. https://doi.org/10.1016/j.tourman.2010.06.006
  • Villaespesa, E. (2013). Diving into the museum’s social media stream. Analysis of the visitor experience in 140 characters. Museums and the web 2013. Retrieved from 19 October, 2021 from https://mw2013. museumsandtheweb.com/paper/diving-into-themuseums-social-media-stream/
  • Villaespesa, E., & Wowkowych, S. (2020). Ephemeral storytelling with social media: Snapchat and Instagram stories at the Brooklyn Museum. Social Media+Society, 6(1), 1-13. https://doi.org/10.1177/205.630.5119898776
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There are 52 citations in total.

Details

Primary Language English
Subjects Communication and Media Studies
Journal Section Research Articles
Authors

İlknur Doğu Öztürk 0000-0001-6459-0845

Burcu Zeybek 0000-0002-2391-5727

Publication Date December 27, 2023
Submission Date October 27, 2022
Published in Issue Year 2023 Issue: 44

Cite

APA Doğu Öztürk, İ., & Zeybek, B. (2023). The Role of Museums in the Process of Creating a Brand City: The Case of Ankara. Türkiye İletişim Araştırmaları Dergisi(44), 73-89. https://doi.org/10.17829/turcom.1195503