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ÇAĞDAŞ GÖSTERİ SANATLARINDA BİR ANLATIM ARACI OLARAK KUKLA

Yıl 2019, Cilt: 2 Sayı: 2, 113 - 128, 30.04.2019

İşınsu Ersan

https://doi.org/10.31566/arts.2.008

Öz

Kukla tiyatrosu,
konvansiyonel olarak oyun kişilerinin kuklalar tarafından canlandırıldığı,
dolayısıyla oyuncunun yerini kuklanın aldığı bir gösterim türdür. Kuklanın
sahnede tek ve belli bir rolü oynadığı konvansiyonel sahneleme biçimi bugün
hala devam etmekle birlikte; 20. yüzyıl sahneleme örnekleri açısından değişimi
beraberinde getirmiştir. Avant-garde hareketlerle birlikte tüm sanat
disiplinlerinde gerçekleşen değişimin yanı sıra teknolojik gelişmeler ve
iletişim biçimlerinin evrimi de buna zemin oluşturmuştur. Dolayısıyla hem
kumpanyalar farklı deneysel uygulamalar yapmış hem de farklı sahne sanatlarının
öncülüğünde disiplinlerarası çalışmalar gerçekleşmiştir. Bu çalışma, kuklanın
bir anlatım aracı olarak özellikle çağdaş gösteri sanatlarındaki yerini ortaya
koymaktadır.

Anahtar Kelimeler

Kukla anlatım çağdaş tiyatro

Kaynakça

  • AMBROSE, Gavin, HARRIS, Paul (2013). Grafik Tasarımda İmge. (Çev. Mustafa Kemal İz) İstanbul: Literatür Kitabevi.
  • BARTHES, Roland (2002). S/Z. New York: Blackwell.
  • CRAIG, Edward Gordon (1957). On The Art of The Theater . London: Heinemann.
  • CÜCELOĞLU, Doğan (1997). İnsan ve Davranışı. İstanbul: Remzi Kitabevi.
  • FISKE, John (1996). İletişim Çalışmalarına Giriş. Ankara: Bilim ve Sanat Yayınları/Ark.
  • GÜNAY, Doğan (2012). “Görsel Göstergebilim ve İmgenin Anlamlandırılması”, Görsel Göstergebilim (Ed. V. Doğan Günay ve Alev F. Parsa), İstanbul: Es Yayınları, ss. 11-55.
  • HAYLER, Matt (2016). “Another Way of Looking: Reflexive Technologies and How They Change the World”, Theatre, Performance and Cognition (Ed. Rhonda Blair ve Amy Cook), London: Bloomsbury Methuen Drama Publishing, ss. 159-173.
  • HEGGEN, Claire, MARC, Yves (2017). Théâtre Du Mouvement. Montpellier: Deuxième époque .
  • JURKOWSKI, Henryk (2000). Métamorphosis. Charleville-Mézières: Institut International De La Marionnette.
  • KEPES, Gyorgy (1969). Language of Vision. Chicago: Paul Theobald and Company .
  • LAKOFF, George, NUNEZ, Rafael (2000). Where Mathematics Come From: How The Embodied Mind Brings Mathematics Into Being. New York: Basic Books.
  • LAUER, David A., PENTAK, Stephen (2012). Design Basics, Boston: Wadsworth Cengage Learning.
  • LECOQ, Jacques (2015). Şiirsel Beden Yaratıcı Tiyatro Eğitimi. Ankara: Nota Bene Yayınları.
  • MCCORMICK, John, PRATASIC, Bennie (2004). Popular Puppet Theater in Europe 1800-1914. Cambridge: Cambridge University Press.
  • MCPHARLAIN, Paul (1969). The Puppet Theater in America. Boston: Plays Inc.
  • MESCHKE, Michael (1992). In Search of Aesthetics for the Puppet Theater. New Delhi: Sterling.
  • MEHRABIAN, Albert (1971). Silent Language. Belmont, California: Wadsworth Publishing Company Inc.
  • OBRAZTSOV, Sergei (1985). My Profession. Moscow: Raduga Publishers.
  • OMMANNEY, Katherine Anne ve OMMANNEY, Pierce C. (1950). The Stage & The School. New York: McGraw-Hill Book Company Inc.
  • ÖZDEMİR, Ali (2012). Beden Dili Etkili İletişim Etkili Konuşma. Ankara: Altınpost Yayıncılık.
  • TILLIS, Steve (1992). Toward an Aesthetics of The Puppet. Westport: Grennwood Press.
  • TILROE, Nikki (1996). Movement in Puppetry Performance. Bicester,Oxon: DaSilva Puppet Books.   VOGELS, Frits (1998). “Following Indications of Space and Objects of Movement Theater on Specific Sites”. BLUM, Lambert, HEGGEN, Claire, VOGELS , Frits, TEMPLERAUD, Jacques, HENRY, Philippe, CÉLAIS, Jean-Paul, STEIJN, Robert, LEEKER, Martina. Blue Report 6: Object Theatre Body and Object. Amsterdam: Theater Instituut Nederland
  • WANROOY, Willem (1995). Figures in Motion. Willem Wanrooy.
  • WANROOY, Willem (1996a). The Theatrical Inanimate. Unknown: Wanrooy, Willem.
  • WANROOY, Willem (1996b). Figures in Motion: A Treatise. Willem F. Wanrooy.
  • La Compagnie l'Alinéa (2017). Le Blog de la Cie l'Alinéa. Retrieved from http://ciealinea.blogspot.com: http://ciealinea.blogspot.com/p/petites-histoires-sans-paroles.html [04.07.2017]
  • Theatre du Mouvement (2017). http://theatredumouvement.fr/en/philosophy/

PUPPET AS A FORM OF EXPRESSION IN CONTEMPORARY PERFORMING ARTS

Yıl 2019, Cilt: 2 Sayı: 2, 113 - 128, 30.04.2019

İşınsu Ersan

https://doi.org/10.31566/arts.2.008

Öz

Puppet theater is a kind of presentation in which conventionally puppets
represent fictional characters therefore they replace actors on stage. Even
though a conventional staging encapsulates puppets standing for a specific
character is continuing; 20th century provided a transformation in staging. The
alteration of all art disciplines together with Avant-garde movements,
technological advancements and evolution of communication provide a base for
this transformation. Hence both companies experienced a variety of experimental
practice and interdisciplinary practices occurred that led by different
performing arts. This paper, reveal puppetry’s place in contemporary performing
arts as a form of expression.

Anahtar Kelimeler

Puppet expression contemporary theater

Kaynakça

  • AMBROSE, Gavin, HARRIS, Paul (2013). Grafik Tasarımda İmge. (Çev. Mustafa Kemal İz) İstanbul: Literatür Kitabevi.
  • BARTHES, Roland (2002). S/Z. New York: Blackwell.
  • CRAIG, Edward Gordon (1957). On The Art of The Theater . London: Heinemann.
  • CÜCELOĞLU, Doğan (1997). İnsan ve Davranışı. İstanbul: Remzi Kitabevi.
  • FISKE, John (1996). İletişim Çalışmalarına Giriş. Ankara: Bilim ve Sanat Yayınları/Ark.
  • GÜNAY, Doğan (2012). “Görsel Göstergebilim ve İmgenin Anlamlandırılması”, Görsel Göstergebilim (Ed. V. Doğan Günay ve Alev F. Parsa), İstanbul: Es Yayınları, ss. 11-55.
  • HAYLER, Matt (2016). “Another Way of Looking: Reflexive Technologies and How They Change the World”, Theatre, Performance and Cognition (Ed. Rhonda Blair ve Amy Cook), London: Bloomsbury Methuen Drama Publishing, ss. 159-173.
  • HEGGEN, Claire, MARC, Yves (2017). Théâtre Du Mouvement. Montpellier: Deuxième époque .
  • JURKOWSKI, Henryk (2000). Métamorphosis. Charleville-Mézières: Institut International De La Marionnette.
  • KEPES, Gyorgy (1969). Language of Vision. Chicago: Paul Theobald and Company .
  • LAKOFF, George, NUNEZ, Rafael (2000). Where Mathematics Come From: How The Embodied Mind Brings Mathematics Into Being. New York: Basic Books.
  • LAUER, David A., PENTAK, Stephen (2012). Design Basics, Boston: Wadsworth Cengage Learning.
  • LECOQ, Jacques (2015). Şiirsel Beden Yaratıcı Tiyatro Eğitimi. Ankara: Nota Bene Yayınları.
  • MCCORMICK, John, PRATASIC, Bennie (2004). Popular Puppet Theater in Europe 1800-1914. Cambridge: Cambridge University Press.
  • MCPHARLAIN, Paul (1969). The Puppet Theater in America. Boston: Plays Inc.
  • MESCHKE, Michael (1992). In Search of Aesthetics for the Puppet Theater. New Delhi: Sterling.
  • MEHRABIAN, Albert (1971). Silent Language. Belmont, California: Wadsworth Publishing Company Inc.
  • OBRAZTSOV, Sergei (1985). My Profession. Moscow: Raduga Publishers.
  • OMMANNEY, Katherine Anne ve OMMANNEY, Pierce C. (1950). The Stage & The School. New York: McGraw-Hill Book Company Inc.
  • ÖZDEMİR, Ali (2012). Beden Dili Etkili İletişim Etkili Konuşma. Ankara: Altınpost Yayıncılık.
  • TILLIS, Steve (1992). Toward an Aesthetics of The Puppet. Westport: Grennwood Press.
  • TILROE, Nikki (1996). Movement in Puppetry Performance. Bicester,Oxon: DaSilva Puppet Books.   VOGELS, Frits (1998). “Following Indications of Space and Objects of Movement Theater on Specific Sites”. BLUM, Lambert, HEGGEN, Claire, VOGELS , Frits, TEMPLERAUD, Jacques, HENRY, Philippe, CÉLAIS, Jean-Paul, STEIJN, Robert, LEEKER, Martina. Blue Report 6: Object Theatre Body and Object. Amsterdam: Theater Instituut Nederland
  • WANROOY, Willem (1995). Figures in Motion. Willem Wanrooy.
  • WANROOY, Willem (1996a). The Theatrical Inanimate. Unknown: Wanrooy, Willem.
  • WANROOY, Willem (1996b). Figures in Motion: A Treatise. Willem F. Wanrooy.
  • La Compagnie l'Alinéa (2017). Le Blog de la Cie l'Alinéa. Retrieved from http://ciealinea.blogspot.com: http://ciealinea.blogspot.com/p/petites-histoires-sans-paroles.html [04.07.2017]
  • Theatre du Mouvement (2017). http://theatredumouvement.fr/en/philosophy/
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Araştırma Makalesi
Yazarlar

İşınsu Ersan 0000-0002-0946-7163

Yayımlanma Tarihi 30 Nisan 2019
Yayımlandığı Sayı Yıl 2019 Cilt: 2 Sayı: 2

Kaynak Göster

APA Ersan, İ. (2019). ÇAĞDAŞ GÖSTERİ SANATLARINDA BİR ANLATIM ARACI OLARAK KUKLA. Journal of Arts, 2(2), 113-128. https://doi.org/10.31566/arts.2.008
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