This study analyzes the historical context of the phenomenon of violence and the structure of the transformations it undergoes; particularly the transformation that unfolded with the transition from modernity to postmodernity. Hannibal is a series with intense scenes of bodily violence, and has a voting rate of 8.6 on IMDB with the votes of over a hundred thousand viewers. This descriptive study focuses on two aspects; i) discovering what kind of an ideological and historical dimension violence has and how this ideology is represented and transformed on the TV screen with postmodernity through the Hannibal series, ii) the exploration and theoretical discussion of TV violence through the transformation that has occured in how the body is approached. The most significant finding of the study is the coherent relationship between the body, violence and ideology.
keywords: tv, violence, ideology, popular culture, body, Hannibal
|Konular||Sosyal ve Beşeri Bilimler|
|APA||Ercan, E . (). . , 0 (22), 151-170. DOI: 10.16878/gsuilet.96694|
|MLA||Ercan, E . "". 0 (): 151-170 <http://iletisimdergisi.gsu.edu.tr/issue/7385/96694>|
|Chicago||Ercan, E . "". 0 (): 151-170|
|RIS||TY - JOUR T1 - AU - Eren Ercan Y1 - 2015 PY - 2015 N1 - doi: 10.16878/gsuilet.96694 DO - 10.16878/gsuilet.96694 T2 - Galatasaray Üniversitesi İleti-ş-im Dergisi JF - Journal JO - JOR SP - 151 EP - 170 VL - 0 IS - 22 SN - 1305-2411-2548-124X M3 - doi: 10.16878/gsuilet.96694 UR - http://dx.doi.org/10.16878/gsuilet.96694 Y2 - 2018 ER -|
|EndNote||%0 Galatasaray Üniversitesi İleti-ş-im Dergisi %A Eren Ercan %T %D 2015 %J Galatasaray Üniversitesi İleti-ş-im Dergisi %P 1305-2411-2548-124X %V 0 %N 22 %R doi: 10.16878/gsuilet.96694 %U 10.16878/gsuilet.96694|