Wedding Videos From Paris: A Transnational Cinema of the Home-Mode

Number: 14 June 1, 2011
  • Prof. Dr. Merih Zıllıoğlu
  • Ar. Gör. Murad Özdemir
EN FR TR

Wedding Videos From Paris: A Transnational Cinema of the Home-Mode

Abstract

Keywords

References

  1. BERGER John and MOHR Jean (1982), Another Way of Telling. London, Writers and Readers Publishing.
  2. CHALFEN Richard (1988), Snapshot Versions of Life, Bowling Green, OH, Bowling Green State University Popular Press.
  3. de CERTEAU Michel (1996), Practice of Everyday Life, Berkeley, University of California Press.
  4. GINSBURG Faye (1995), "The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film". Visual Anthropology Review, 11(2), 64-76.
  5. GINSBURG Faye (1991), “Indigenous Media: Faustian Contract or Global Village?” Cultural Anthropology 6/1 (February): 92-112.
  6. MacDOUGALL David (1991), "Whose Story Is It?". Visual Anthropology Review, 7: 2-10.
  7. MORAN James M. (2002), There's no place like home video, University of Minnesota Press. ODIN Roger (1995), “Le film de famille dans l’institution familiale” in Le film de famille, usage privé, usage public, R. Odin (dir.), Paris, Méridiens-Klincksieck. PRATT Mary Louise (1991), "Arts of the contact zone". Profession, 33-40.
  8. RUBY Jay (1991), "Speaking For, Speaking About, Speaking With, or Speaking Alongside An Anthropological and Documentary Dilemma". Visual Anthropology Review, 7(2), 50-67.

Details

Primary Language

Turkish

Subjects

-

Journal Section

-

Authors

Prof. Dr. Merih Zıllıoğlu

Ar. Gör. Murad Özdemir

Publication Date

June 1, 2011

Submission Date

February 4, 2014

Acceptance Date

-

Published in Issue

Year 1970 Number: 14

APA
Zıllıoğlu, P. D. M., & Özdemir, A. G. M. (2011). Wedding Videos From Paris: A Transnational Cinema of the Home-Mode. Galatasaray Üniversitesi İletişim Dergisi, 14, 115-129. https://izlik.org/JA25WL54UT

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