Amfitiyatro, Gösteri ve İktidar Oyunları

Fidan Terzioğlu

doi:10.16878/gsuilet.542323

Amfitiyatro, Gösteri ve İktidar Oyunları

Öz

Bu makale, toplu anlatıların seyir mekânı olarak amfitiyatronun tarih boyunca geçirdiği dönüşümleri, “gösteri” kavramı ve bu kavramla etkileşen iktidar ilişkileri bağlamında incelemektedir. Bu amaçla, amfitiyatronun oluşumu ve dönüşümleri; bu mekânın her dönemde yüklendiği sosyal, kültürel ve siyasal işlevler bakımından ortaya konularak yorumlanmıştır. Her dönemdeki iktidar ilişkilerinin amfitiyatro mekânını nasıl dönüştürdüğü ve bu mekândaki gösterinin iktidar ilişkilerini nasıl etkilediği tartışmaya açılmıştır. Eleştirel teori geleneğinde “gösteriselleşme” olarak nitelenen, kapitalist toplumdaki her şeyin tüketime yönelik, içeriksiz bir imgeye dönüşmesi olgusunun kökenleri ve dinamikleri incelenmiştir. İnsanlık tarihinin en eski sanatlarından biri olan seyirlik anlatı sanatının, yüzyıllar boyunca gelişerek, derinleşerek, kişilerin özümsediği, içselleştirdiği bir dili nasıl oluşturduğu araştırılmıştır. Bütün bunlardan yola çıkılarak, “gösteriselleşme” olgusunun ötesine geçebilme imkânlarının ne yönde olabileceği işaret edilmiştir.

Anahtar Kelimeler

gösteri,gösteriselleşme,kentsel mekân,amfitiyatro,iktidar,tiyatro,sinema

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Details

Primary Language

Turkish

Subjects

-

Journal Section

Research Article

Authors

Fidan Terzioğlu ^*

Publication Date

July 6, 2019

Submission Date

March 5, 2019

Acceptance Date

-

Published in Issue

Year 1970 Number: 4

DOI

https://doi.org/10.16878/gsuilet.542323

IZ

https://izlik.org/JA26NX58CE

Cite

RIS / Bibtex

APA

Terzioğlu, F. (2019). Amfitiyatro, Gösteri ve İktidar Oyunları. Galatasaray Üniversitesi İletişim Dergisi, 4, 49-76. https://doi.org/10.16878/gsuilet.542323