Amfitiyatro, Gösteri ve İktidar Oyunları

Fidan Terzioğlu

doi:10.16878/gsuilet.542323

Amfitiyatro, Gösteri ve İktidar Oyunları

Öz

Bu makale, toplu anlatıların seyir mekânı olarak amfitiyatronun tarih boyunca geçirdiği dönüşümleri, “gösteri” kavramı ve bu kavramla etkileşen iktidar ilişkileri bağlamında incelemektedir. Bu amaçla, amfitiyatronun oluşumu ve dönüşümleri; bu mekânın her dönemde yüklendiği sosyal, kültürel ve siyasal işlevler bakımından ortaya konularak yorumlanmıştır. Her dönemdeki iktidar ilişkilerinin amfitiyatro mekânını nasıl dönüştürdüğü ve bu mekândaki gösterinin iktidar ilişkilerini nasıl etkilediği tartışmaya açılmıştır. Eleştirel teori geleneğinde “gösteriselleşme” olarak nitelenen, kapitalist toplumdaki her şeyin tüketime yönelik, içeriksiz bir imgeye dönüşmesi olgusunun kökenleri ve dinamikleri incelenmiştir. İnsanlık tarihinin en eski sanatlarından biri olan seyirlik anlatı sanatının, yüzyıllar boyunca gelişerek, derinleşerek, kişilerin özümsediği, içselleştirdiği bir dili nasıl oluşturduğu araştırılmıştır. Bütün bunlardan yola çıkılarak, “gösteriselleşme” olgusunun ötesine geçebilme imkânlarının ne yönde olabileceği işaret edilmiştir.

Anahtar Kelimeler

gösteri,gösteriselleşme,kentsel mekân,amfitiyatro,iktidar,tiyatro,sinema

Kaynakça

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Ayrıntılar

Birincil Dil

Türkçe

Konular

-

Bölüm

Araştırma Makalesi

Yazarlar

Fidan Terzioğlu ^*

Yayımlanma Tarihi

6 Temmuz 2019

Gönderilme Tarihi

5 Mart 2019

Kabul Tarihi

-

Yayımlandığı Sayı

Yıl 1970 Sayı: 4

DOI

https://doi.org/10.16878/gsuilet.542323

IZ

https://izlik.org/JA26NX58CE

Kaynak Göster

RIS / Bibtex

APA

Terzioğlu, F. (2019). Amfitiyatro, Gösteri ve İktidar Oyunları. Galatasaray Üniversitesi İletişim Dergisi, 4, 49-76. https://doi.org/10.16878/gsuilet.542323