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Estetik ve Feminist Kuram: Kadınların Sinemasını Yeniden Düşünmek

Yıl 2021, Cilt , Sayı 34, 115 - 135, 29.06.2021
https://doi.org/10.16878/gsuilet.731873

Öz

Teresa de Lauretis'in “Aesthetic and Feminist Theory: Rethinking Women's Cinema” isimli makalesinin çevirisidir.

Kaynakça

  • Akerman, C., (1977). Chantal Akerman on Jeanne Dielman, Camera Obscura 2.
  • Bergstrom, J., (1977). Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman. Camera Obscura 2.
  • Bovenschen, S., (1977). Is There a Feminine Aesthetic? (B. Weekmueller, Çev.). New German Critique, 10 (Kış).
  • Doane, M., (1982). Film and the Masquerade: Theorising the FemaleSpectator. Screen, 23.3-4 (Eylül/Ekim).
  • Doane, M., Mellencamp, P. ve Williams, L., (1984). Revision: Essays in Feminist Film Criticism. Frederick, Md.: University Publications of America and the American Film Institute.
  • Fehervary, H,, Lenssen, C., ve Mayne, J., (1981). From Hitler to Hepburn: A Discussion of Women’s Film Production and Reception. New German Critique, 24-25 (Sonbahar/Kış).
  • Friedberg, A., (1984). An Interview with Filmmaker Lizzie Borden. Women and Performance, 1.2 (Kış).
  • Heath, S. (1981). Questions of Cinema. Bloomington: Indiana University Press. Hulser, K., (1984). Les Guerilleres, Afterimage, 11.6 (Ocak).
  • Johnston, C., (1974). Women’s Cinema as Counter-Cinema. C. Johnston (Ed.), Notes on Women’s Cinema içinde. London: SEFT.
  • Koch, B., (1985). Exchanging the Gaze: Re-visioning Feminist Film Theory. New German Critique, 34 (Kış).
  • Laplanche, J. ve Pontalis, J., (1973). The Language of Psycho-Analysis (D. Nichol- son-Smith, Çev.). New York: W. W. Norton.
  • Lorde, A., (1983). The Master’s Tools Will Never Dismantle the Master’s House. C. Moraga ve G. Anzaldua (Ed.), This Bridge Called My Back: Writings by Radical Women of Color içinde (98-107). New York: Kitchen Table Press.
  • Melandri, L., (1977). L’infamia originaria. Milano: Edizioni L’Erba Voglio. Morrison, T., (1975). Sula. New York: Bantam Books.
  • Mulvey, L., (1975). Visual Pleasure and Narrative Cinema. Screen, 16.3 (Sonbahar). Mulvey, L., (1979). Feminism, Film, and the Avant-Garde. Framework, 10 (Bahar).
  • Owens, C., (1983). The Discourse of Others: Feminists and Postmodernism. H. Foster (Ed.), The Anti-Aesthetic: Essays in Postmodern Culture içinde. Port Townsend, Wash.: Bay Press.
  • Rich, A., (1978). Women and Film: A Discussion of Feminist Aesthetics. New German Critique, 13 (Kış).
  • Rich, A., (1979). On Lies, Secrets, and Silence. New York: W. W. Norton.
  • Rich, A., (1980). Compulsory Heterosexuality and Lesbian Existence. Signs, 5.4 (Yaz).
  • Rowbotham, S., (1973). Woman’s Consciousness, Man’s World. Harmondsworth: Penguin Books.
  • Silverman, K., (1983). Helke Sander and the Will to Change. Discourse 6 (Son- bahar).
  • Sussler, B., (1983). Röportaj. Bomb 7.
  • Wittig, M., (1980). Straight Mind. Feminist Issues, 1.1. (Yaz).

Ayrıntılar

Birincil Dil Türkçe
Konular Sosyal
Bölüm Çeviri
Yazarlar

Teresa DE LAURETİS Bu kişi benim
University of California, Santa Cruz
United States

Çevirmenler

Çevirmen: Çiçek ÜŞÜMEZGEZER

Yayımlanma Tarihi 29 Haziran 2021
Yayınlandığı Sayı Yıl 2021, Cilt , Sayı 34

Kaynak Göster

APA De Lauretis, T. (2021). Estetik ve Feminist Kuram: Kadınların Sinemasını Yeniden Düşünmek (Ç. Üşümezgezer, Çev.) . Galatasaray Üniversitesi İletişim Dergisi , (34) , 115-135 . DOI: 10.16878/gsuilet.731873