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Estetik ve Feminist Kuram: Kadınların Sinemasını Yeniden Düşünmek

Yıl 2021, Cilt , Sayı 34, 115 - 135, 29.06.2021
https://doi.org/10.16878/gsuilet.731873

Öz

Teresa de Lauretis'in “Aesthetic and Feminist Theory: Rethinking Women's Cinema” isimli makalesinin çevirisidir.

Kaynakça

  • Akerman, C., (1977). Chantal Akerman on Jeanne Dielman, Camera Obscura 2.
  • Bergstrom, J., (1977). Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman. Camera Obscura 2.
  • Bovenschen, S., (1977). Is There a Feminine Aesthetic? (B. Weekmueller, Çev.). New German Critique, 10 (Kış).
  • Doane, M., (1982). Film and the Masquerade: Theorising the FemaleSpectator. Screen, 23.3-4 (Eylül/Ekim).
  • Doane, M., Mellencamp, P. ve Williams, L., (1984). Revision: Essays in Feminist Film Criticism. Frederick, Md.: University Publications of America and the American Film Institute.
  • Fehervary, H,, Lenssen, C., ve Mayne, J., (1981). From Hitler to Hepburn: A Discussion of Women’s Film Production and Reception. New German Critique, 24-25 (Sonbahar/Kış).
  • Friedberg, A., (1984). An Interview with Filmmaker Lizzie Borden. Women and Performance, 1.2 (Kış).
  • Heath, S. (1981). Questions of Cinema. Bloomington: Indiana University Press. Hulser, K., (1984). Les Guerilleres, Afterimage, 11.6 (Ocak).
  • Johnston, C., (1974). Women’s Cinema as Counter-Cinema. C. Johnston (Ed.), Notes on Women’s Cinema içinde. London: SEFT.
  • Koch, B., (1985). Exchanging the Gaze: Re-visioning Feminist Film Theory. New German Critique, 34 (Kış).
  • Laplanche, J. ve Pontalis, J., (1973). The Language of Psycho-Analysis (D. Nichol- son-Smith, Çev.). New York: W. W. Norton.
  • Lorde, A., (1983). The Master’s Tools Will Never Dismantle the Master’s House. C. Moraga ve G. Anzaldua (Ed.), This Bridge Called My Back: Writings by Radical Women of Color içinde (98-107). New York: Kitchen Table Press.
  • Melandri, L., (1977). L’infamia originaria. Milano: Edizioni L’Erba Voglio. Morrison, T., (1975). Sula. New York: Bantam Books.
  • Mulvey, L., (1975). Visual Pleasure and Narrative Cinema. Screen, 16.3 (Sonbahar). Mulvey, L., (1979). Feminism, Film, and the Avant-Garde. Framework, 10 (Bahar).
  • Owens, C., (1983). The Discourse of Others: Feminists and Postmodernism. H. Foster (Ed.), The Anti-Aesthetic: Essays in Postmodern Culture içinde. Port Townsend, Wash.: Bay Press.
  • Rich, A., (1978). Women and Film: A Discussion of Feminist Aesthetics. New German Critique, 13 (Kış).
  • Rich, A., (1979). On Lies, Secrets, and Silence. New York: W. W. Norton.
  • Rich, A., (1980). Compulsory Heterosexuality and Lesbian Existence. Signs, 5.4 (Yaz).
  • Rowbotham, S., (1973). Woman’s Consciousness, Man’s World. Harmondsworth: Penguin Books.
  • Silverman, K., (1983). Helke Sander and the Will to Change. Discourse 6 (Son- bahar).
  • Sussler, B., (1983). Röportaj. Bomb 7.
  • Wittig, M., (1980). Straight Mind. Feminist Issues, 1.1. (Yaz).

Ayrıntılar

Birincil Dil Türkçe
Konular Sosyal
Bölüm Çeviri
Yazarlar

Teresa DE LAURETİS Bu kişi benim
University of California, Santa Cruz
United States

Çevirmenler

Çiçek ÜŞÜMEZGEZER

Yayımlanma Tarihi 29 Haziran 2021
Yayınlandığı Sayı Yıl 2021, Cilt , Sayı 34

Kaynak Göster

APA De Lauretis, T. (2021). Estetik ve Feminist Kuram: Kadınların Sinemasını Yeniden Düşünmek (Ç. Üşümezgezer, Çev.) . Galatasaray Üniversitesi İletişim Dergisi , (34) , 115-135 . DOI: 10.16878/gsuilet.731873

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